I love music theatre and have for years. I’ve been making a recent attempt to see more of it with newly discovered frugal resources (hello, student discount). Invariably, somewhere near the beginning of a musical, I get a rush of emotion simply because there’s an entire stage full of people, all singing something different that all comes together in a huge and perfectly amazing sound. It’s impossible to catch ALL the different words and melodies soaring off the stage, but the message comes through and even though it might not be a critical moment in the story, I’m suddenly an emotional basketcase. I love those moments.
My mother and aunt frequently have opportunities for free tickets to music theatre productions at one of our local universities. They are happy to share with my brother and I, and we have taken advantage of these opportunities more than once. The most recent chance was to see the French opera, The Hoffman Tales by Offenbach, and my mother and I went together.
This was not my first opera. The first was The Wedding of Figaro with my friend Megan years ago (we won’t say how many) when we were either in our late teens or early twenties. It was, coincidentally, in the same theatre. Nor was this my second opera. Again in the same theatre, mom, my brother and I saw The Elixir of Love in Italian just a few weeks ago. But this one… this one bit me.
In the movie Pretty Woman, with Julia Roberts and Richard Gere, Edward takes Vivian to San Francisco for one of his passions, the opera. He says to her, “People's reactions to opera the first time they see it is very dramatic; they either love it or they hate it. If they love it, they will always love it. If they don't, they may learn to appreciate it, but it will never become part of their soul.”
(Yes, the grammar is driving me batty, why do you ask?)
I don’t quite fit what Edward said. It wasn’t until my third opera viewing that I found myself smitten in my very own Pretty Woman opera moment—sadly, without the jet to San Francisco, the ruby necklace, or the amazing red dress.
| Stolen from this guy's blog |
It was the third scene, and Hoffman’s second love is lured to her death by her mother’s music through the manipulations of the devil. The simplicity, the emotion, the passion of the actor/singers was an enchantment I hadn’t experienced before and out of nowhere came tears.
So now, I can add opera to my list of “Oooh, I want to go” events. I don’t think the title, the plot, or the location will matter. I’ll go just for the possibility of catching that unexpected tidal wave of emotion.
(Note: sorry for the goofy background formatting. Copy and Paste and I don't always get along.)